John Durand

American. active1766-1782 A signed portrait (priv. col.) dated 1765 provides the first documentary information on him. He advertised in the New York Journal on 26 November 1767 that he had opened a drawing school, and again on 7 April 1768, announcing his availability as a history painter, though no examples of this activity survive. Like other painters in the colonies, he made his living from portrait painting. His most noted work, the Rapalije Children (1768; New York, NY Hist. Soc.), demonstrates the strong decorative sense, the delicate use of colour and the attempts at sophisticated value and texture application that characterize all his paintings. His skill as a draughtsman is evident in the carefully described details. Here, as in other works, he used a dark outline to define one plane from another, and he imparted a sense of elegance, particularly in the slightly turned heads and animated arms and hands.


       Prev  1   Next
  Prev Artist       Next Artist     

   
    

John Durand The Rapalje Children oil


The Rapalje Children
Painting ID::  31909
The Rapalje Children
mk77 c.1768 Oil on canvas 50 3/4x40in
mk77 c.1768 Oil_on_canvas 50_3/4x40in
   
   
     

John Durand Settling the Bill oil


Settling the Bill
Painting ID::  31910
Settling the Bill
mk77 1852 Oil on wood 19 1/2x24in
mk77 1852 Oil_on_wood 19_1/2x24in
   
   
     

John Durand RapaljeChildren oil


RapaljeChildren
Painting ID::  67715
RapaljeChildren
Author John Durand
Author_John_Durand
   
   
     

       Prev  1   Next
Prev Artist       Next Artist     

     John Durand
     American. active1766-1782 A signed portrait (priv. col.) dated 1765 provides the first documentary information on him. He advertised in the New York Journal on 26 November 1767 that he had opened a drawing school, and again on 7 April 1768, announcing his availability as a history painter, though no examples of this activity survive. Like other painters in the colonies, he made his living from portrait painting. His most noted work, the Rapalije Children (1768; New York, NY Hist. Soc.), demonstrates the strong decorative sense, the delicate use of colour and the attempts at sophisticated value and texture application that characterize all his paintings. His skill as a draughtsman is evident in the carefully described details. Here, as in other works, he used a dark outline to define one plane from another, and he imparted a sense of elegance, particularly in the slightly turned heads and animated arms and hands.

CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Frame Moulding Mirror Framed Stretched Paintings